Virginia Frances Sterrett : "Rosalie's Tree" (1920) — Giclee Fine Art Print

"Rosalie's Tree," by Virginia Frances Sterrett (1920) Available Formats • 9" x 12" (Image: 7.5" x 10") • 12" x 16" (Image: 10" x 13.31") • 16" x 20" (Image: 12.75" x 17") • 20" x 24" (Image: 15" x 20") • 24" x 30" (Image: 18.75" x 25") Archival Inkjet on Matte Finish Fine Art Paper About the Artwork Exhibiting the fatal curiosity of a true fairy tale heroine, Rosalie peeks at the gift Prince Gracious has promised to unveil on her fifteenth birthday: “Rosalie saw before her eyes a tree of marvelous beauty, with a coral trunk and leaves of emeralds. The seeming fruits which covered the tree were of precious stones of all colors—diamonds, sapphires, pearls, rubies, opals, topazes, all as large as the fruits they were intended to represent and of such brilliancy that Rosalie was completely dazzled by them.” Virginia Frances Sterrett illustrated Old French Fairy Tales (1920) when she was just 19. Having been forced withdraw from the Art Institute of Chicago on account of her mother’s ill health, she had been pursuing her artwork independently when she received the commission from Penn Publishing. At about the same time, she was diagnosed with the tuberculosis that would end her life at age 30. Encumbered by declining health, she was only able to illustrate two other works during her lifetime—Tanglewood Tales in 1921 and Arabian Nights in 1928. She was elegized by the St. Louis Post-Dispatch in a supplement published July 5th, 1931: “Her achievement was beauty, a delicate, fantastic beauty, created with brush and pencil. Almost unschooled in art, her life spent in prosaic places of the West and Middle West, she made pictures of haunting loveliness, suggesting Oriental lands she never saw and magical realms no one ever knew except in the dreams of childhood… “Perhaps it was the hardships of her own life that gave the young artist's work its fanciful quality. In the imaginative scenes she set down on paper she must have escaped from the harsh actualities of existence.” Fine Art Quality The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them. Happiness Guarantee All of The Ibis’s prints come with a 100% happiness guarantee. If you are disappointed in your purchase for any reason, you are welcome to return it for a full refund.